I have a question about my 2 hole draw bend on a C harp. Isn't there a tone that goes lower and flatter than the 2 semitone bend on the 2 hole draw? What is that?
Shipwreck: The semitone bend is called the F#; the full bend is called the F.
And that's the one you want to achieve!
BUT, I am able to go further and get a flatter tone before I run out of bend.
Well there you go then!
Sounds cool. Know any examples off hand of how this sound has been used in recorded blues?
Um, well, most all do. Yet interestingly too though, is how Jon spends a lot of time on just the 2 hole draw itself. On his New Bending & Tone Work Shop CD, and playing along with those tracks alone, he even has me believing in myself that hey I can really do this too!
Highly recommended!
However, to be fair as well - to learn more about the 2/3 hole draws, please check out:
My apologies for being a bore with what has to be the everpresent and reccuring question. As you have no doubt already suspected I DID indeed confuse the one for the two semitone bend. I bought the chromatic tuner ap for my I phone right after posting that last mssg and got a nasty shock. Wish I had gotten it 8 months ago when I was starting out. Now that I am disgraced I have returned to the low register scales and am trying to unlearn my mistakes by playing the 3 and 2 hole bends at the correct pitch with the chromatic tuner hanging in front of my nose. Thanks for your response. If anyone else happens to read this who is also just picking up the instrument and trying to learn without a teacher, be warned. Get someone to critique your 2 and 3 hole bends for correct pitch. I think that the chromatic tuner might also be a good idea if you don't have a veteran advisor at hand. Damn.
Hole 2 of a C Richter system, 10-hole diatonic harmonica has a total of 4 tones available without the use of overblows: from highest pitch to lowest: a regular (no bending) draw G, and a draw bend Gb(F#),draw bend F, and regular E (blow, no bend).
Hole 3 has even more. Five tones are available without overblowing: regular draw B, draw bend Bb(A#), draw bend A, draw bend Ab(G#), and regular blow G.
Hole 10 has 4 available notes without overdrawing: regular C blow, B blow bend, Bb blow bend, and A regular draw.
More tones are available throughout the range of the 10-hole diatonic, with the use of the overblowing and overdrawing techniques.
With overblowing-overdrawing and bend-draw and bend-blow notes, we can get a complete chromatic 3 octave range on the diatonic, similar to playing a 12-hole slide chromatic.
But the bend-blow, bend-draw and overblow/overdraw are more difficult to control (to find the correct pitch). The chromatic harps have all 12 notes of the chromatic scale available, with a few duplicates, all usually in tune.
I have a question about my 2 hole draw bend on a C harp. Isn't there a tone that goes lower and flatter than the 2 semitone bend on the 2 hole draw? What is that? I think that I am playing the regular 2 semitone bend correctly because I am hearing it fit into the scale properly. I don't believe that I am confusing the one semitone bend for the two semitone bend BUT, I am able to go further and get a flatter tone before I run out of bend. Sounds cool. Know any examples off hand of how this sound has been used in recorded blues?